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HOLD.
In using the word ‘hold’ I am referring to holding
the instrument correctly, and, of equal importance,
‘holding yourself’ ie... correct posture. It is
very important to sit or stand up straight, not
rigid but comfortably upright
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BREATHE.
Most people believe that they can breathe correctly
(if you are still alive it is usually assumed you
are breathing correctly!). but are you able to utilise
the full extent of your lungs? You should use your
diaphragm and stomach muscles to control your breathing.
When playing, breathe through the sides of your
mouth (so as not to disturb the embouchure), not
through your nose.
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... not rigid but
comfortably upright.
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You must breathe through your mouth when playing!
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The Elements of Holbarto
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If the note has a good start it has every chance of being a good
note!
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Push air through your instrument.
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ARTICULATE.
‘Articulation’, the start of the note, ( correct
use of the tongue, embouchure, diaphragm etc...)
earns its place amongst the ‘principal 4’ most things
to do because if you give a note a good start it
has every chance of being a good note.
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BLOW.
Blowing, or more accurately, pushing air from the
lungs using the diaphragm and stomach muscles in
a controlled way through the instrument (remember
to keep your cheeks firm!).
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HOLBARTO technique for trombone playing can be applied
to all brass and woodwind instruments. Holbarto, developed
by Neil Wittmann, tries to be an holistic approach
to teaching/ learning an instrument. Neil teaches
all brass (trombone, trumpet, cornet, tenor horn,
french horn, baritone, euphonium, tuba) and has learned
a little saxophone, violin, flute, guitar, keyboard
and bassoon (mostly, very little and a long time ago!).
Currently working for Leeds Music Support Service
(Yorkshire, England), Neil has several projects 'on
the go' one of which is developing and promoting this
web site and the HOLBARTO technique. The 'hard copy'
version of the technique, complete with 'Talk-thru
CD', may well be in the shops by the time you read
this. |
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